Vladimir Velickovic: How to win a raven
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At the opening ceremony motogp of the major exhibitions of paintings called the Ravens in the SASA Gallery of academician Vladimir Velickovic, it was said that the planetary painter, and that a man in his paintings prey who tried to save the raven that it breaks and čerupa. Belgrade audience has the opportunity to simultaneously see two exhibitions, in addition to the mentioned in the SASA Gallery, the Museum of Zepter visitors expected drawings and collages of famous painter and professor. The SASA Gallery, through which are constantly passing visitors, motogp Vladimir Velickovic spoke for Avant Art Magazine.
You know, I never lacked with the audience, according to a tradition, the first of my exhibitions here and there, the audience motogp was present. But still, in this issue, I must admit that I was a little surprised. The exhibition, I was in a museum in Toulouse also was a miracle that the visit is concerned, so I have to say that I am satisfied.
If we stop him, he will develop his wings still and Pecker us as it is in his nature. So is this raven that flies over us a general danger with which we might have to fight, but still need a lot of good will, energy, ambition, to depart, Otero, however at this time it is not the case.
We come to Matthias Grinevalda. motogp We see that vary only part Izenhajmskog altar, we could say the darker part, no angels, no enunciation, only Crucifixion. As to the crucified Christ in a spasm has no chance against a raven?
Well, there's no way. It is one symbolism, motogp all the elements in my paintings have a certain meaning and the symbolism is a long, long established, it is set to my chess field, by which move their figures. Some of the sixties these ravens appeared in a different form one, but were already there, which means that there are already here half a century. I stayed loyal to them and they to me.
In addition to the Gallery of SASA has the opportunity to see at the Museum of Zepter and exhibition of your drawings and collages. At a time when our major museums do not work, Zepter is like many of the world collection founded the first private museum in Serbia. We have collectors and wealthy people, do you believe that this private initiative can mobilize people in Serbia, to somehow organize in new institutions that would not be solely dependent on the state and the budget, and that would give new life to our culture, which is reduced to the lowest motogp branches?
Yes, culture is really the lowest fell, not to speak of other segments. In any case, I strongly recommend Cepterov example, there are other people with the possibilities, however, unfortunately, they are in one as I call it, the primary or primitive capitalism, so that they are more important than some external effects of what could enrich our culture motogp and to keep something and the future generations. Zepter is an extraordinary activity in the field of culture, not only in art, but also with theater and music publishing house. It would be nice to emulate the example of Zepter.
Belgrade has always been open to the outside art, that came and stayed always shown and well received, but as if we have never had a good enough motogp approach to the promotion of our artists in the world, in the exchange. We're talking about art although we and other aspects, motogp but somehow it seems that artists motogp help the most to manage to go beyond the borders of the country and shows the world?
On one occasion, preparing this new monograph and browsing through motogp catalogs, I noted that these seventies and eighties there was an institution called the Committee for Cultural Relations motogp with Foreign Countries. It was sent to all parties our then Yugoslav art. It traveled by all possible countries and people have had a chance to see what's going on here, and it was well and good. Unfortunately, these activities are no more, they are now some of the state of the exhibition, which may be of interest. When I say that I mean the state to the state finances, but it is a very minimum, above all, those two three Biennale where we necessarily present because we have their pavilions, first of all this in Venice, which is soon to be opened. It seems to me that the state, in spite of these difficulties that we daily, had to show a little more interest in investing in culture, and these young people who are waiting for some sign of some kind, any kind of assistance, and to enable them and the material existence , space, are still on the waiting list.
To address the medial, where you belong. Lately, we have seen that the Mediala again represented, exhibiting the recently opened motogp exhibition Mediala - The Golden Age, then showcase sketch oil Ivanjicki, a few days ago exhibition of drawings Peace Glavurtić, Dragos Kalajic in Valjevo, your two exhibitions in Belgrade, it was announced that will soon be an exhibition of Ljuba Popović ... After all that has appeared in the forest
Home ArtKnjiga VizuelArt ARTLAB ArtIstorija ArtStil ArtRazgovor ArtScena ArtKutak ArtVreme Artživot ArtBio ArtFeljton Artprice ArtGlobus Tamara Ognjević for AAM VirtuArt ArtOpinion-NYC Galiola occurs
At the opening ceremony motogp of the major exhibitions of paintings called the Ravens in the SASA Gallery of academician Vladimir Velickovic, it was said that the planetary painter, and that a man in his paintings prey who tried to save the raven that it breaks and čerupa. Belgrade audience has the opportunity to simultaneously see two exhibitions, in addition to the mentioned in the SASA Gallery, the Museum of Zepter visitors expected drawings and collages of famous painter and professor. The SASA Gallery, through which are constantly passing visitors, motogp Vladimir Velickovic spoke for Avant Art Magazine.
You know, I never lacked with the audience, according to a tradition, the first of my exhibitions here and there, the audience motogp was present. But still, in this issue, I must admit that I was a little surprised. The exhibition, I was in a museum in Toulouse also was a miracle that the visit is concerned, so I have to say that I am satisfied.
If we stop him, he will develop his wings still and Pecker us as it is in his nature. So is this raven that flies over us a general danger with which we might have to fight, but still need a lot of good will, energy, ambition, to depart, Otero, however at this time it is not the case.
We come to Matthias Grinevalda. motogp We see that vary only part Izenhajmskog altar, we could say the darker part, no angels, no enunciation, only Crucifixion. As to the crucified Christ in a spasm has no chance against a raven?
Well, there's no way. It is one symbolism, motogp all the elements in my paintings have a certain meaning and the symbolism is a long, long established, it is set to my chess field, by which move their figures. Some of the sixties these ravens appeared in a different form one, but were already there, which means that there are already here half a century. I stayed loyal to them and they to me.
In addition to the Gallery of SASA has the opportunity to see at the Museum of Zepter and exhibition of your drawings and collages. At a time when our major museums do not work, Zepter is like many of the world collection founded the first private museum in Serbia. We have collectors and wealthy people, do you believe that this private initiative can mobilize people in Serbia, to somehow organize in new institutions that would not be solely dependent on the state and the budget, and that would give new life to our culture, which is reduced to the lowest motogp branches?
Yes, culture is really the lowest fell, not to speak of other segments. In any case, I strongly recommend Cepterov example, there are other people with the possibilities, however, unfortunately, they are in one as I call it, the primary or primitive capitalism, so that they are more important than some external effects of what could enrich our culture motogp and to keep something and the future generations. Zepter is an extraordinary activity in the field of culture, not only in art, but also with theater and music publishing house. It would be nice to emulate the example of Zepter.
Belgrade has always been open to the outside art, that came and stayed always shown and well received, but as if we have never had a good enough motogp approach to the promotion of our artists in the world, in the exchange. We're talking about art although we and other aspects, motogp but somehow it seems that artists motogp help the most to manage to go beyond the borders of the country and shows the world?
On one occasion, preparing this new monograph and browsing through motogp catalogs, I noted that these seventies and eighties there was an institution called the Committee for Cultural Relations motogp with Foreign Countries. It was sent to all parties our then Yugoslav art. It traveled by all possible countries and people have had a chance to see what's going on here, and it was well and good. Unfortunately, these activities are no more, they are now some of the state of the exhibition, which may be of interest. When I say that I mean the state to the state finances, but it is a very minimum, above all, those two three Biennale where we necessarily present because we have their pavilions, first of all this in Venice, which is soon to be opened. It seems to me that the state, in spite of these difficulties that we daily, had to show a little more interest in investing in culture, and these young people who are waiting for some sign of some kind, any kind of assistance, and to enable them and the material existence , space, are still on the waiting list.
To address the medial, where you belong. Lately, we have seen that the Mediala again represented, exhibiting the recently opened motogp exhibition Mediala - The Golden Age, then showcase sketch oil Ivanjicki, a few days ago exhibition of drawings Peace Glavurtić, Dragos Kalajic in Valjevo, your two exhibitions in Belgrade, it was announced that will soon be an exhibition of Ljuba Popović ... After all that has appeared in the forest
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